The primary antagonist of the novel, Anton Chigurh, serves as an agent of death and fate. In the passage in which he murders Carla Jean, she pleads for her life, to which Chigurh replies, "When I came into your life your life was over. You can say that things could have turned out differently.
Character overview[ edit ] Chigurh is a hitman who is never seen to display remorse or compassion. He is described by Carson Wells, a central character in the novel, as a " psychopathic killer," in his 30s, with a dark complexion, and eyes as "blue as lapis He also wields a sound-suppressed Remington semiautomatic shotgun and pistol as well as a TEC-9 in the film adaptation.
Throughout both the novel and the film, Chigurh flips a coin to decide the fate of his victims. The Remington was actually released seven years after the original setting of the book but still made an appearance as one of the most memorable weapons in the movie.
Creation[ edit ] The character is a recurrence of the "Unstoppable Evil" archetype frequently found in Cormac McCarthy 's work, though the Coen brothers wanted to avoid one-dimensionality, particularly a comparison to The Terminator.
To avoid a sense of identification, the Coens sought to cast someone "who could have come from Mars ". The brothers introduced the character in the beginning of the film in a manner similar to the opening of the film The Man Who Fell to Earth.
I speak bad English. And I hate violence. Bardem said he took the role because it was his dream to be in a Coen Brothers film. It featured a photo of a man sitting in the bar of a brothel with a very similar hairstyle and clothes to those worn by Chigurh in the film. Oscar-winning hairstylist Paul LeBlanc designed the hairdo.
The Coens instructed LeBlanc to create a "strange and unsettling" hairstyle. LeBlanc based the style on the mop tops of the English warriors in the Crusades as well as the Mod haircuts of the s.
Bardem told LeBlanc each morning when he finished that the style helped him to get into character. Bardem supposedly said that he was "not going to get laid for two months" because of his haircut.
When writer Cormac McCarthy visited the set, the actors inquired about Chigurh's background and the symbolic significance of his name.
McCarthy simply replied "I just thought it was a cool name. However, he discovers that a local welder named Llewelyn Moss, who chanced upon the money while hunting, has taken it and left town.
Chigurh tracks Moss down to a motel using a receiver that connects to a transponder hidden in the satchel of money. However, Moss has hidden the money in a ventilation duct, and when he returns to the motel, suspecting correctly that someone is in his room, he retrieves the money from the connected vent in a second rented room on the back side of the motel.
His original room is in fact being occupied by a group of Mexican gangsters sent to ambush him.
When Chigurh enters this room, he kills the Mexicans and searches for the money, but it is nowhere to be found. Moss, meanwhile, has already fled after hearing the gunfire.
Chigurh then ruthlessly tracks Moss down. The hotel confrontation between Moss and Chigurh plays out very differently in the film from the novel; rather than punching out the lock and wounding Moss, in the novel Chigurh apparently steals a key from a murdered clerk and quietly enters Moss's room, and Moss ambushes him and takes him captive at gunpoint, so they have a chance to see and know each other.
As Chigurh and Moss face off in the hotel and the streets, they are interrupted by a group of Mexicans, all of whom Chigurh kills. In the film, this scene was cut to the point that only Moss and Chigurh fight. Chigurh finds out that a bounty hunter named Carson Wells has, like Chigurh, been hired to retrieve the money.
Chigurh kills Wells, who made a deal with Moss to give him protection in exchange for the money. He then intercepts a phone call to Wells from Moss, and offers to spare Moss's wife if he agrees to give up the money.
Moss refuses, however, and vows to track down and kill Chigurh. Moss is eventually killed by Mexican hitmen while in a motel in El Paso. Once again Moss hid the money in the vents, which was unseen by the Mexicans at the time of their ambush. Chigurh shows up later after the police have left, retrieves the money from the vent, and gives it back to the investor.
Near the end of the book, Moss' widow returns home to find Chigurh inside, waiting for her. After hearing her pleas for mercy, he partially relents by relying on his coin toss. In the book, she calls heads; it comes up tails, and he shoots and kills her.
In the film adaptation, she refuses to call the toss, saying "The coin don't have no say. While driving away from her house some three blocks away, Chigurh is badly injured in a car accident, sustaining a compound fracture of his left ulna and walking away with a limp.
Chigurh then flees the scene before the ambulance arrives. Personality[ edit ] Chigurh kills without compassion or remorse, but always with deliberation. He is described as having his own set of morals, however twisted they may be.No Country for Old Men is a film that the more I ponder, the more I realize its brilliance.
It's a very abstract film that requires the viewer to pay attention and really think about the meaning behind it. One important theme in No Country for Old Men is fate—this could be argued in a torosgazete.com primary antagonist of the novel, Anton Chigurh, serves as an agent of death and fate.
In the passage in. The award winning film, No Country for Old Men, adapted from Cormac McCarthy’s novel, is a riveting tale of a brutal chain of events related to money, murder, and drugs, which rolls through West Texas in the ’s.
In No Country, we learn that there neither fate nor free will. There's only randomness and we're totally at the mercy of it. There's only randomness and we're totally at the mercy of it.
No Country shows us that there's no hope for humanity unless we can rely on our free will as individuals. No Country For Old Men The Degradation of Today’s Society in No Country for Old Men Society today has become certainly different from the old, laid-back peaceful traditional daysTraditional qualities like honesty, respect, and discipline are slowly phasing out as time progresses.
After reading No Country for Old Men, the readers are able to understand more about fate. It is a novel written by Cormac McCarthy. This book is set between Texas and Mexico in the s.