Cinematography of the blindside

The analysis will be based on the mise-en-scene, the cinematography, the editing and the soundtrack of the movie. It refers to actors, objects, costumes, and the settings or backgrounds and the way things are visually arranged.

Cinematography of the blindside

Cinematography Section 1 — Quality This section explores some of the elements at play in the construction of a shot. The look of an image, its balance of dark and light, the depth of the space in focus, the relation of background and foreground, etc. For instance, the optical qualities of grainy black and white in Battle of Algiers Gillo Pontecorvo, Maarakat madinat al Jazaer, Algeria, seem to guarantee its authenticity.

These images were initially painted or stencilled onto the film but by the s filmmakers were able to include color sequences in their films. Apart from the added realism or glamor that a color image could provide, color is also used to create aesthetic patterns and to establish character or emotion in narrative cinema.

Juliet of the Spirits was the first Fellini film in color, and he intended to make full use of it. Now Fellini has the same actress play a rich housewife in luscious technicolor, obviously signaling a clear turning point from his early Neorealism-inspired films.

Contrary to popular belief and Goethecolors do not necessarily carry exclusive meanings. Your browser does not support the video tag. While Zhang exploits red as a cliched signifier of unrestrained passion, Bergman associates the color with stagnation and contaminated blood.

High contrast is usually associated with the low key lighting of dark scenes in genres such as the horror film and the film noir.

A common cliche is to use contrast between light and dark to distinguish between good and evil. The use of contrast in a scene may draw on racist or sexist connotations.

Cinematography of the blindside

While deep focus may be used occasionally, some auteurs use it consistently for they believe it achieves a truer representation of space. It is therefore commonly employed in genres such as the melodrama, where the actions and thoughts of an individual prevail over everything else.

Bright light and a narrow lens aperture tend to produce a larger depth of field, as does using a wide-angle rather than a long lens. A shallow depth of field is often used as a technique to focus audience attention on the most significant aspect of a scene without having to use an analytic cut-in.

Depth of field is directly connected, but not to be confused, with focus. For a given lens aperture and level of lighting, the longer the focal distance the distance between the lens and the object that is in focus the greater the focal depth.

For a given focal distance, the greater the level of lighting or the narrower the aperture, the greater the focal depth. For that reason, close-up shooting and shooting in low light conditions often results in images with very shallow depth of field. An image with shallow depth of field, as this frame fromPeking Opera Blues Do Ma Daan, Tsui Hark, has some elements in focus, but others are not.

If the aperture is widened, more light comes through and the resultant image will become more exposed. In his film TrafficSteven Soderbergh decided to shot all of the sequences in the Northern Mexico desert overexposed. This technique is an even more overt way of steering audience attention through the scene, as well as of linking two spaces or objects.

Racking focus is usually done quite quickly; in a way, the technique tries to mimick a brief, fleeting glance that can be used to quicken the tempo or increase suspense. RATE A typical sound film is shot at a frame rate of 24 frames per second.

Movement and Editing in The Blind Side – afowler

If the number of frames exposed in each second is increased, the action will seem to move more slowly than normal when it is played back. Conversely, the fewer the number of frames exposed each second, the more rapid the resulting action appears to be.

The extreme case of frame rate manipulation is stop-motion, when the camera takes only one frame then the subject is manipulated or allowed to change before taking another frame. The effect of using a long lens is to compress the apparent depth of an image, so that elements that are relatively close or far away from the camera seem to lie at approximately the same distance.

In this first shot from Payback Brian Helgeland,we can clearly see there is a considerable distance beteen the fallen body and the red car. Yet, when a telephoto lens is used for a close-up of Mel Gibson, his face looks like it is pressed against the car!

Here a telephoto lens create a canted framing to suggest the physical and psychological disarray of a man who has been betrayed, shot, and left for dead.

Few cinematic techniques are used in isolation. In another clip from the same film, a zooms is used to offer a more detailed view of an object. Section 2 — Framing In one sense, cinema is an art of selection.This article or section contains close paraphrasing of one or more non-free copyrighted sources.

Relevant discussion may be found on the talk in this article should be expressed in an original manner. (June ) (Learn how and when to remove this template message).

 The Blind Side Script There's a moment of orderly silence before a football play begins. Players are in position, linemen are frozen, and anything's possible. TV commentary Then, like a traffic accident, staff begins to randomly collide. Apr 07,  · The Blind Side is an incredibly wonderful, heartfelt, and eye opening film.

Much of the power that the film has is its seemingly seamless editing. This makes the film, that is based on a true story, seem even more real. There are a few scenes that .

“The Blind Side” is the extraordinary true story of Michael Oher (Baltimore Raven’s NFL Draft pick) and the Tuohy family. Cinematography and direction were wonderful with a strong, inspirational soundtrack.

Script was amazing. It was thought provoking, funny, and touching making this movie is a unique combination of docudrama and. [The Sopranos Ending - Made In America was previously published on May 31, as Understanding Made In America - The Final Episode of the Sopranos].

Nov 19,  · Every so often, American pop culture coughs up a family that’s too good to be true — and, of course, it’s that very too-goodness that makes them irresistible to audiences (or is supposed to.

The Blind Side (film) - Wikipedia